Five times I’ve seen the cord cut: pulled taut rough blade steadied, each swipe clean, frayed wire strings untied, each left alone.

The purple roses tinged with red your ailing body covered in sores. Kneeling you smell their scent free beside He Who purifies.

Fifty-two years of marriage had on Elms Road A willow tree and a gravel, dirt driveway A black furred, brown footed dachshund named Blackie Picnics in the backyard Flea market front yard sales Coffee at four in the morn, what a child’s getaway— Crayon dinosaur wallpaper Baked beans from Great Grandma’s newspaper clipping Frozen hotdogs served fresh Anxious gifts given even without money Car rides, iced tea, and Elvis’s songs The Blueberry Festival and more yard sales Fears of meat besides poultry, pork, and beef Her purpose motherhood, her strength family Drummond Island’s rocky shores, sandboxes and sand bees, no electricity, no running water, ice cream at the teepee, nighttime fires, a sinking pontoon Niagara Falls and a hand-holding competition

Image Source: Wikimedia The last bite I taste—the morsel: warm bread. I sold rights, freedom, bought the field, though poor, I’ve inherited field, but not a bed. My stomach wrenched taut; no food when I plead. Law pursued, a sign ahead: abundant. The last bite I taste—the morsel: warm bread. Through cities I searched too low for my head, what rest for burdens leaves you wanting more? I’ve inherited field, but not a bed.

In Loving Memory of William Carlos Wright October 9th, 1929 to June 29th, 2016 Let me not forget to remember how quick things pass— how many years will take flight and fade the colors of my mind; are tears really so helpful? Hope is stone not scarred by wind— strong and gentle, like the Manistee flowing through winding bends, more certain than steep banks. What has come was taken, couldn’t sink in one’s soul is like lost keys by holes in pockets and painful to forget.

Image Source: Wikimedia The merchant returns, the port cheers him and there he anchors, to resupply his empty hold. Old farmland horses pull carts down the docks to his great vessel. Hooves plod the sea-drenched harbor, smells of salt moisten the air. Wooden wheels clatter past rowing fishermen who’ve come to port from the City’s warrens for the morning market opening onto the bay and brine,  the merchant poises his back and locks his neck, clapping his hands with festive shouts reading the docket, and to insure this voyage’s goods, he eyes the curious mariners asking him about the itinerary and ready to work Unloading and hauling, his sailors arrange the fresh crates in aisles and towers,

Image Source: Wikimedia I approached the field, my eyes met the stems across my palms I held the harvest— calloused furls, smooth ochre, future straw bales and sackcloth flour for market, storehouses and homes; supported by tillers. The Farmer observed his hired hands. Their backs rotated—a clock face of tanned skin with shoulders wide; from dawn their arms ticked to dusk, leaning arched and stiff. Singing they gleaned and planted, but from their work, none could make the wheat grow.

Image Source: Wikimedia “From the days of John the Baptist until now the kingdom of heaven has suffered violence, and the violent take it by force.” –The Christ Farmhands smacked their tongues in burnt air, sweat slid along their brows, down as sweltering sunlight rippled and obscured the ground. From a furnace, their souls’ found relief in sweaty palms. For each laborer a satchel of seeds and broken steel.

Image Source: Wikimedia  I I couldn’t tarry, so I wandered the dusty road for work. My destination loomed ahead—yet my thoughts remained captivated with the wheat, but I stopped at the tall and charcoal gates that imprisoned the City on the Mount. Behind the walls a horn blew tumbling thunder. The dreadful sound bellowed earthquakes in rupture, the horn’s tone split—gales pulverizing woods, whistling and moaning, a darkening came on storm clouds.

Image Source: Wikimedia Limp I faced the hill. Like a child, swung and the bells pealed. Above the road I looked onto a wheat field. The Farmer winnowed. The rope frayed into chaff blown away by the wind. The sun rose and the flies, biting, were devouring nails. Clouds swayed, turning black overhead. The arms of three trees curved into music’s bow. Innocent blood on a hill. By day the trees sat taught atop the hill, against the full rope, the braided melody hummed in lashes when the bow’s hair was pressed and drawn.

Image Source: Wikimedia I watched them work. Pickaxes swung down, rakes drug, shovels dug, wheelbarrows brimming with stone hauled for drowning in the bay; land softened for tilling and cultivating of seed. Ash flitted from iron drums placed on the farm’s paths lined by torrid, smoking barrel fires, which farmhands could not approach. “There is no need for the rubble,” the Farmer tasked his hired hands, “nor is there room for the weeds.

Image Source: Wikimedia From a distant town I’ve come traveling to work along dust and dirt trails at the City on the Mount. Walls overlooked the countryside, edifices laid before the horizon where the road slipped between the city’s gates into skies and clouds fading into golden hues. But I paused.  A dry flood swept across tilled fields, When had I entered these fertile rows? The field spanned from side to side, down the road, to the far-off hills behind, around the City and its gazing walls.

Image Source: Wikimedia The Bridge waltzes, her legs wade— down with the Undertaker while cold rivers lurk with fishes beneath. From her skirt’s hem I took the plunge From her sweet hand I’m drowning in that river you’ve forgotten; the river’s overtaken me, sinking, pressured below— swept down with the currents. I beg you, please, look down from the brick arches. Peer out from the banks. Breathe, if just a moment.